fine bindings and enclosures
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Slipcase box for an 18th Century French Almanac
Book jacket and box covering of paper marbled by the artist, interior lined with book cloth seen at the center. Approx. 3 x 5 x 1.5"
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Slipcase box for an 18th Century French Almanac
Book jacket and box covering of paper marbled by the artist, interior lined with book cloth seen at the center. Approx. 3 x 5 x 1.5"
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Slipcase box for an 18th Century French Almanac
Book jacket and box covering of paper marbled by the artist, interior lined with book cloth seen at the center. Approx. 3 x 5 x 1.5"
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Slipcase box for an 18th Century French Almanac
Book jacket and box covering of paper marbled by the artist, interior lined with book cloth seen at the center. Approx. 3 x 5 x 1.5"
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Slipcase box for an 18th Century French Almanac
Book jacket and box covering of paper marbled by the artist, interior lined with book cloth seen at the center. Approx. 3 x 5 x 1.5"
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For Studies in Stippling
Interlocking box with internal tray and a circular lock covered with snake skin and paper marbled by the artist.
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detail: For Studies in Stippling
Interlocking box with internal tray and a circular lock covered with snake skin and paper marbled by the artist.
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detail: For Studies in Stippling
Interlocking box with internal tray and a circular lock covered with snake skin and paper marbled by the artist.
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For Studies in Stippling
Interlocking box with internal tray and a circular lock covered with snake skin and paper marbled by the artist. Full goat leather binding with inlays of contrasting goat leather and suede. Marbled edge decoration, hand-embroidered endbands, and marbled paper made by the artist.
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detail: For Studies in Stippling
Full goat leather binding with inlays of contrasting goat leather and suede. Marbled edge decoration, hand-embroidered endbands, and marbled paper made by the artist.
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For Studies in Stippling
Full goat leather binding with inlays of contrasting goat leather and suede. Marbled edge decoration, hand-embroidered endbands, and marbled paper made by the artist.
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detail: For Studies in Stippling
Full goat leather binding with inlays of contrasting goat leather and suede. Marbled edge decoration, hand-embroidered endbands, and marbled paper made by the artist.
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detail: For Studies in Stippling
Full goat leather binding with inlays of contrasting goat leather and suede. Marbled edge decoration, hand-embroidered endbands, and marbled paper made by the artist.
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detail: For Studies in Stippling
Full goat leather binding with inlays of contrasting goat leather and suede. Marbled edge decoration, hand-embroidered endbands, and marbled paper made by the artist.
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The Bell Jar
A rebinding of a seventies edition of Sylvia Plath's The Bell Jar. Full goat leather French binding with edge-to-edge doublures, pig suede fly leaves, hand-embroidered silk endbands, and windows of resin and quail eggshells.
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detail: The Bell Jar
A rebinding of a seventies edition of Sylvia Plath's The Bell Jar. Full goat leather French binding with edge-to-edge doublures, pig suede fly leaves, hand-embroidered silk endbands, and windows of resin and quail eggshells.
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detail: The Bell Jar
A rebinding of a seventies edition of Sylvia Plath's The Bell Jar. Full goat leather French binding with edge-to-edge doublures, pig suede fly leaves, hand-embroidered silk endbands, and windows of resin and quail eggshells.
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detail: The Bell Jar
A rebinding of a seventies edition of Sylvia Plath's The Bell Jar. Full goat leather French binding with edge-to-edge doublures, pig suede fly leaves, hand-embroidered silk endbands, and windows of resin and quail eggshells.
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detail: The Bell Jar
A rebinding of a seventies edition of Sylvia Plath's The Bell Jar. Full goat leather French binding with edge-to-edge doublures, pig suede fly leaves, hand-embroidered silk endbands, and windows of resin and quail eggshells.
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Alice in Wonderland
A rebinding of a modern commercial edition of Alice in Wonderland and Through the Looking Glass. Full goat skin French binding with inlays of goat suede, onlays of pig suede, pig suede fly leaves, and hand-embroidered silk endbands. This side is Alice in Wonderland.
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detail: Alice in Wonderland
A rebinding of a modern commercial edition of Alice in Wonderland and Through the Looking Glass. Full goat skin French binding with inlays of goat suede, onlays of pig suede, pig suede fly leaves, and hand-embroidered silk endbands. This side is Alice in Wonderland.
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Through the Looking Glass
Turn the book over and you can read Through the Looking Glass from this side. A rebinding of a modern commercial edition of Alice in Wonderland and Through the Looking Glass. Full goat skin French binding with inlays of goat suede, onlays of pig suede, pig suede fly leaves, and hand-embroidered silk endbands.
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detail: Through the Looking Glass
Turn the book over and you can read Through the Looking Glass from this side. A rebinding of a modern commercial edition of Alice in Wonderland and Through the Looking Glass. Full goat skin French binding with inlays of goat suede, onlays of pig suede, pig suede fly leaves, and hand-embroidered silk endbands.
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detail: Through the Looking Glass
Turn the book over and you can read Through the Looking Glass from this side. A rebinding of a modern commercial edition of Alice in Wonderland and Through the Looking Glass. Full goat skin French binding with inlays of goat suede, onlays of pig suede, pig suede fly leaves, and hand-embroidered silk endbands.
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